Unfortunately, it’s going to be pretty sour against the G string at 64/27 Hz. So maybe you should just tune the G string a major third below your new B, at 12/5 Hz. Now the G and B strings sound great together, but the G is out of tune against the D string at 16/9 Hz. So maybe D should be a fourth below G… but then the D string will be out of tune against A. If you tune the A based on your new D, then it’ll be out of tune against the low E. And if you tune the low E based on your new A, then it’ll be out of tune against the high E. There’s just no way to win.
Soundfly’s Orchestration for Strings course is all about helping you compose and arrange for violin, viola, cello, and bass. In it, we look at the individual instruments of the bowed string family and explore a specific textural framework for creating better arrangements. By the end, you’ll understand how to create monophonic, polyphonic, chordal, and homophonic textures, and have a portfolio of original works ready to unveil at your next performance.