Drum donations

Because of streaming, because of fancy new Corolla dashboards that talk to you and stuff — that’s why. No, radio is not dead. Not yet, at least. But when you can listen to basically whatever you want, whenever you want, without going to the record store with a million bucks, you know that the days when songs-for-the-masses had to be on the shorter side and, I don’t know, be by different people — yeah, those days are gone.

Create clearly labelled folders for the samples that you use or think you might use soon. You can categorize your samples in broad terms, for example, as acoustic drums, drum machine, synth, vocals, or by the name of the sample pack they came from. Then, from there, you can categorize them by type, such as one shots, loops, ambience, pads. Organizing your folders so you can find the right sound a lot quicker is optimal for fast-paced writing sessions, bigger and complicated projects, or time-sensitive work with approaching deadlines.

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Female rappers 2019

The 1% skim milk of the music industry has survived the barbarians at the gate, born again within the world of music streaming. In 2019, the listener pays only a little more for the convenience of streaming, but the money they do pay is vacuumed up by large tech and labels via the gated publishing communities like Spotify, Apple Music, and Google Play. Artists still struggle, as the innovations of tech revolutionaries were co-opted and sanitized by corporate interest.

“In My Feelings”: Check out the rad three-beat pickup to start. I’ll call it an intro, even though it’s only three-fourths of a complete bar. The guest verse, provided by The City Girls out of Miami, smashes into the chorus like peanut butter and chocolate for the most funky-crazy chorus variation of the year (C3). It’s so chopped up that Drake has to spoon-feed us the original chorus directly afterwards — although, technically, even this stabilizing chorus version counts as a variation because he drops everything out at the end for two whole bars before the bridge. Slick craftsmanship.

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California arts grants

This technique is so common in dance tracks that it’s almost a cliché that cannot be avoided. If you frequent raves, dance clubs, or electronic music festivals, you’re probably used to hearing claps, snares, toms, or kicks that start with quarter note hits, then speed up to eighth notes, and then finally reach for sixteenth and thirty-second notes as you get closer to the drop.

According to Hughes, “The remaining notes, on the next rung down, are all of the notes left in the key of C major that are not C, E, or G. So that would be D, F, A, and B.” These are the diatonic notes that produce other chords in need of resolving back to the root.

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