Exhibition grants

Speaking of Timberlake, I didn’t watch the Super Bowl in 2004, but I remember kids at school telling me about it later. If you don’t know the story already, I’m here to fill you in.

Inspiration may strike like lightning, but just about as frequently, so go out and find your own stories, ideas, characters, and narratives in these blogs!

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Best rappers of all time list

LA On Lock is pretty much the premier place to get your Los Angeles hip-hop news. Featuring songs, mixtapes, and even hosting their own events, this blog puts LA on lockdown, but it isn’t just for those living in California — it’s for everyone and anyone who loves hip-hop. In addition to tons of interviews and features, they also host a Spotify playlist and do regular video, single, and album reviews.

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

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Creative grants

Kaija Saariaho does not mess around. She creates powerful concert music and opera which often combines acoustic instrumentation and electronics to express her textural, spectral inspired compositions. Having spent her formative years studying in Helsinki, Saariaho’s earlier output was set within the strict confines of serialism, only moving to a spectral approach following a period of research at IRCAM. Saariaho’s complex, highly polyphonic, and richly textured music has been admired and recognized throughout the music community for many years, achieving some of the highest possible accolades including a Grammy Award for Best Opera in 2011, a Polar Music Prize in 2013 and most recently a BBVA Foundation Frontiers of Knowledge Award in Contemporary Music.

Now for a bit of push-back on the general tone so far. We (and the panelists in the video) have mentioned how technology can create some dangerous grey areas when it comes to education — such as removing the vital social aspects of learning and of music practice in general, and also subjecting education to frameworks often designed by non-musicians or engineers lacking a diversity of musical knowledge, awareness, and respect (and thus unable to build tools that allow for all modes of musical expression).

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