Terra chicago

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Self-described as “an inventory of cross-disciplinary interestingness, spanning art, science, design, history, philosophy, and more,” Maria Popova’s Brain Pickings explores many different genres and ideas with multiple sources that can help you find something to be inspired by. Typically their posts will start with a quote, or a literary thought experiment, and dive deep into the stories or moments that inspired them.

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80s hip hop songs list

We are a B2B SaaS business that builds IP, algorithms, and music-playback features that can be integrated into a range of products like speakers, smartphones, computers, and headphones but also consumer brands like Facebook and Snapchat. Our classification engine benefits streaming services and publishers. I’m especially excited about what our tech can do in combination with NLP (Natural Language Processing, voice control) for the visually impaired and even the automotive industry.

We’ll keep it in the family again with the second release in Ashikawa’s “Wave Notation” series, his own album, Still Way. This record actually features Midori Takada on harp and vibraphone. Ashikawa only released three records in this series before he died; the third was a full LP of pensive Erik Satie pieces played on solo piano by Satsuki Shibano.

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Pbr music foundation grant

Julia Wolfe is an American composer whose music has been described by the Wall Street Journal as having “long inhabited a terrain of its own, a place where classical forms are recharged by the repetitive patterns of minimalism and the driving energy of rock.” Need I say any more?! Only perhaps that she too has won a Pulitzer Prize! Her incredible work Anthracite Fields picked up the award back in 2014. A founding member of the internationally renowned contemporary ensemble Bang On a Can, Wolfe has won more awards to mention and has worked with icons such as John Cage and Colin Curry, among countless others in performance. Julia Wolfe is a serious household name and continues to create ground-breaking work.

One of Martin’s most memorable musical moments happened while working on the score to the indie film Experimenter, composed by Bryan Senti. During the recording session, Marty was asked to re-voice and notate a section that involved a lot of string harmonics — one of the toughest things to notate, given all the math of matching which note works with which harmonic and which finger hovers where. Marty dove in head first and got it done, despite biting his nails the entire time — and in the process learned not to be afraid to put it all on the line for the music.

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