Nea foundation global learning fellowship program

So normally with this series we look at lectures and videos that focus on a single artist, but today we’re throwing both of those concepts out the window and zooming in on a recent panel held at the annual Ableton Loop Conference featuring educators, not artists, and not one, but three of them. The panelists: Ethan Hein, Doctoral Fellow in Music Education at NYU, adjunct professor of music technology at NYU and Montclair State University, and Soundfly instructor; Melissa Uye-Parker, British songwriter, performer, and educator based in London; and Jack Schaedler, software developer at Ableton who has worked on Ableton’s microsite for learning music fundamentals. And the panel was moderated by none other than Dennis DeSantis, composer, sound designer, percussionist, and author, who is also Head of Documentation for Ableton.

The in-depth tone controls also allowed the Space Echo to be manipulated and create some wild effects.  If you turn up the intensity control as the echo fades out you’ll get this intense swelling effect that you can hear on many dub or reggae songs. If you change the tape speed or delay rate you’ll hear crazy pitch shifting and oscillating effects. Artists like Pink Floyd, Radiohead, and Bob Marley have all used the RE-201 to create absolutely stunning music.

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Vh1 save the music 2018

Secondly, be careful not to over-compress any of your tracks and, in particular, not to add heavy compression, limiting, or maximizing plug-ins on your master output channel. Leave the master compression adjustments for your mastering engineer, just like Joe Lambert says in the above video. Make sure to set all your volume faders to keep everything “under the red” so you avoid any clipping distortion.

+ Pursue your dreams faster with a Soundfly Mentor! Share your musical goals with us and we’ll pair you up with a professional musician, engineer, educator, or music industry veteran who will help you achieve them in a customized four-week session.

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