Exhibition catalogue grants

Interested in learning about pro-audio mixing techniques? Faders Up: Modern Mix Techniques combines tips and perspectives from nine of today’s top sound engineers, plus 1-on-1 pro mentorship on your work for six weeks from a Mainstage Mentor. Preview the course for free today. 

Only drowning men could see him…

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Best rappers 2018

Want to increase your band’s chances of getting booked? Try putting yourself in the shoes of venues, show promoters, and festival curators. Music making is too often an introverted, navel-gazing pursuit on the part of the artist, and a great deal of us work incredibly hard to make music and share it with the world, only to struggle in finding any tangible booking success.

The best way to keep fans engaged is to go back and see them regularly. In past articles I’ve spoke about the importance of building regionally before trying to tour in markets farther away from your home. This is one of the main reasons for that point.

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Rap groups of the 90s

Not all of us have access to the kind of gear that the Boards are rocking. As usual though, we can find some good digital approximations on the internet. One of my absolute favourites is James Peck’s VHS Audio Degradation Suite. It provides emulations (with optional speaker simulation) of old video tape audio playback, based on machines in various states of disrepair. If anything digital is going to get you even close to Boards of Canada’s bevy of broken-down gear, this is it. While it’s free, it only works through Native Instruments’ paid Reaktor 6 soft synth platform. If you don’t already have that, you can try it out for 30 days.

We’ll keep it in the family again with the second release in Ashikawa’s “Wave Notation” series, his own album, Still Way. This record actually features Midori Takada on harp and vibraphone. Ashikawa only released three records in this series before he died; the third was a full LP of pensive Erik Satie pieces played on solo piano by Satsuki Shibano.

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Fender music organization

“Thank you for what has been one of the best musical learning experiences I’ve ever had. With Ian as a mentor, I’ve grown beyond anything I thought possible in six weeks.

It used to be that the only way for songwriters to get financial support for their craft was via a music publishing deal. Advances were offered as part of a deal that required the songwriter giving up a percentage of their royalties in exchange for industry support, royalty collection and financial assistance.

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