Nea foundation global learning fellowship program

So normally with this series we look at lectures and videos that focus on a single artist, but today we’re throwing both of those concepts out the window and zooming in on a recent panel held at the annual Ableton Loop Conference featuring educators, not artists, and not one, but three of them. The panelists: Ethan Hein, Doctoral Fellow in Music Education at NYU, adjunct professor of music technology at NYU and Montclair State University, and Soundfly instructor; Melissa Uye-Parker, British songwriter, performer, and educator based in London; and Jack Schaedler, software developer at Ableton who has worked on Ableton’s microsite for learning music fundamentals. And the panel was moderated by none other than Dennis DeSantis, composer, sound designer, percussionist, and author, who is also Head of Documentation for Ableton.

The in-depth tone controls also allowed the Space Echo to be manipulated and create some wild effects.  If you turn up the intensity control as the echo fades out you’ll get this intense swelling effect that you can hear on many dub or reggae songs. If you change the tape speed or delay rate you’ll hear crazy pitch shifting and oscillating effects. Artists like Pink Floyd, Radiohead, and Bob Marley have all used the RE-201 to create absolutely stunning music.

Funnily enough, the biggest breakthrough came with our approach. We are dealing with music here, not 1s and 0s, so we made the early decision to not trust the data. We engineered the user experience and worked our way back to the data. When we were faced with a problem, we looked at music theory and DJing to solve the user experience rather than rely on what the data was telling us.

Amazon donation request

Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here are just a few free courses you can choose from: How to Create a Killer Musician Website, Theory for Bedroom Producers, How to Get All the Royalties You Never Knew Existed, and of course, Touring on a Shoestring. Here’s a snippet of what to expect on Soundfly. 

This Devo cover compilation features minusbaby’s fantastic version of “Whip It,” a track that’s worth listening to if you’re thinking about participating in the third installment of Soundfly’s free Chiptune Crash Course series!

All this is corroborated by an intensification of dynamics, which grow gradually into fortissimo (1:05 onwards). A first climax is reached in the Prestissimo section: (d.) is now played by both hands and the staccato articulations are now accented, longer (and therefore heavier) notes (1:58).

In 2013, a 20-year-old Miley Cyrus was trying to shed her Hannah Montana good-girl youth image. Stuff like that can usually take an album or two, a couple promotion campaigns, and some time to sculpt, but not for Miley. Her image was resculpted in a matter of minutes with this viral good-girl-gone-bad performance at the the VMAs alongside the also-controversial Robin Thicke.

Sometimes the bass sounds great merely doubling what is being played on the guitar — and especially when that guitar is being played by Jimmy Page. John Paul Jones actually had tons of bass-hooky songs, but here in “Over the Hills and Far Away,” the bass is a bit subdued throughout most of it — which makes this particular section stand out even more. That section is when Page climbs out of his solo with a three-octave arpeggiated run, and Jones follows alongside with a standard pattern of root-third-fifth-minor seventh across each octave, a mixolydian theme that would sound good in basically any context.

Rap songs

+ Learn a new musical skill in 10 minutes. Explore Soundfly’s wide array of free online courses and gain a musical edge during your lunch break. Or sign up for the Soundfly Weekly newsletter and learn something new every Tuesday!

In 2013, I started listening to a band called Groovanova and wanted to buy their records. I was heartbroken to find out they had none because they didn’t know how to do it, who to work with, or whether their albums would sell. Three years later, Diggers Factory was born, and Groovanova was the first band to produce an EP through our service!

The Røde Podcaster is a dynamic microphone specifically designed for podcasters. With a tight polar pattern and frequency response custom-tuned for recording vocals, the Podcaster delivers broadcast-quality sound with a plug-and-play USB connection. An internal shock mount helps reduce noise when adjusting microphone placement. Equipped with a 3.5mm stereo headphone output and built-in volume control, the Podcaster has everything you need to get started quickly.

For a tone, most of the area of the fingers and the edge of the palm will contact the drum. Move your hands towards you until your knuckles are just off the edge of the drum. Your fingers themselves should be over the drumhead. You strike the drumhead with all your fingers flat at the same time.

All this is corroborated by an intensification of dynamics, which grow gradually into fortissimo (1:05 onwards). A first climax is reached in the Prestissimo section: (d.) is now played by both hands and the staccato articulations are now accented, longer (and therefore heavier) notes (1:58).