Logic Pro offers some of the best-sounding and most customizable synths right out of the box, here’s how to adjust their default settings to your liking!
It’s impossible to understate the musicianship, the magnetism, the raw power hedged within Brown’s tender affection. Even though Brown financed the production of this record himself, was it ever really a risk? How could it be? From start to finish this album is perfect, and Brown knew it would be. His unbridled confidence (which in his later years calcified into what some may describe as arrogance) was completely warranted and I think he would have done whatever it took to share his genius with the world.
That’s not to say that your writing will automatically sound better overnight as a result of opening a book by one of the greats, but so much of songwriting is about “borrowing.” Whether that’s taking a direct phrase and setting it to a new context, or borrowing some syntax and ideas to open up new pathways for approaching a song, having an influential reference provides a great place to start.
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The great thing about recording to MIDI is that you can always go in and move notes or chords around by hand. So if the quantization makes some parts of your track sound wacky, just highlight whatever notes you want to edit, and drag them forward or backward in time. The same goes for correcting wrong notes — just drag them into the correct position and voila!
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By stressing and manipulating the common and uncommon tones between these three scales, we can create a lot of tonal variation out of very little harmonic information — freedom in limitations, for sure. Examine these three scales to see the crossover:
And I don’t know if it’s just really strong overtones, but I could swear that whatever the sample is that plays on beat one of each loop has at least an overtone of C# in there somewhere, but I don’t know if it’s strong enough to call it “major.” It just gives it a really different color than your typical Aeolian mumble-rap tune.
Let’s say that we ran two of these sine waves simultaneously. We’d find that the total amplitude would be the sum of the two identical sine waves. So far, so good. But what if we were to “flip” the waveform, so that what was a peak is now a trough, and vice versa? What we get is… silence.
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Like it or not, your visual presentation is an incredibly powerful tool in how your music comes across. If you play your cards right, you can use visual aids and style to develop from a random Tuesday night bar band into a national weekend headliner that people are excited to see. You can choose to subvert your audience’s expectations and keep them guessing, or play into them to create a well-established and expected result — either direction can suit your band as a tool to entertain. It’s up to you to decide and execute.
Going on tour soon but don’t know how to get the word out? Here’s a list of amazing strategies to put your band on the map and make your travels count!
With overwhelmingly positive results, we’re happy to share a few testimonials of Soundfly’s Orchestration For Strings course directly from our students.
Get something loud that can take a beating. Beyond that, punk amps should be able to handle a sound somewhere between classic rock and metal. The amp will live and die by how it produces overdrive, but you’ll need a more rounded sound that doesn’t have as much high end as well. If you buy something with multiple smaller speakers, you’ll be able to keep your high end definition without cranking the EQ to compensate.
Cui reiterates the results of the probe tone experiments and explains that “Tones that fit well often are also easier to process.” Not only do the tonic tones fit the best, they help our brain process all of the information faster.