All of the notes above Fret 12 on any string are just repetitions of the same notes, an octave above (for example, Fret 14 on the 6th string is an F#, an octave above the same note on Fret 2 on the same string). Therefore, we can simply subtract 12 from the fret number and proceed repeating the same process we have discussed until now.
Many artists brag about getting very little sleep because they’re so committed to winning. And that’s great. Good for them. And, yeah, you may have to go through seasons where you’re not getting a ton of sleep. Maybe you’re working on a project that you’re super passionate about and it’s taking some time. That’s fine, but give yourself a break every now and then.
This album was also one of the only albums to be played start to finish by radio DJs at the time. They were encouraged by the indisputable hoards of screaming fans audible in the Apollo theatre audience. Bobby Byrd, one of the Famous Flames, said, “People were calling in, they really wanted to hear the whole thing, the excitement and everything.” The album catapulted James Brown from the chitlin circuit to the main stage.
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Let’s say C major is our parent scale, containing the notes: C, D, E, F, G, A, and B. There are six other diatonic modes we can tap into by playing this same collection of notes, but starting on notes other than C.
Insecurity comes from a lack of faith in your own ability. Faith boosters include hard work and experience. Things that swing murderous blows at your faith include laziness, and trying to be someone that you’re not. You need to put in the work, and you need to find your own unique “edge.” Instead, try telling yourself: “Practice, practice, practice!” and that, “No, you do not sound like Sia, and that’s okay.”
Whether you are a seasoned songwriter or you have just recently begun to write your own music, an important part of songwriting involves being self aware. Knowing what makes you tick will spur your creativity in new and unexpected ways. What kind of music do you enjoy listening to? How does your taste in music reflect the style of songs that you want to craft? How do certain grooves and tonalities make you feel? Which events and stories from your own life or the lives of others around you inspire you? These are all questions for self reflection while trying to write music.
Ain’t it the truth, Bey? Perfection is a mean old demon, and every one of us has been guilty of holding onto something far too long as we try to perfect every last bit of it. But perfection is, by its nature, impossible. There is literally no such thing as a perfect artist, a perfect human being, a perfect meal (although my mom’s beef with broccoli is pretty darn close).
Songwriting Pro is a blog written by a guy named Brent, a professional songwriter who’s lived through publishing deals, hits, and hard times, and this platform has become one of the best places to learn about all the things you might face down the road, with advice and tips on how keep yourself writing at all costs. There’s always a light at the end of that tunnel, Brent proves it.
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You will then be prompted to select the kind of track you would like to create. For the basic piano vocal demo, you will likely be using a software instrument and an audio track.
Sometimes you can find unexpected new meanings by recontextualizing vocals, like when I discovered that Whitney Houston singing the words “I know” from her a cappella to “How Will I Know” sounds great over De La Soul’s “Eye Know.” (Email me if you’re dying to hear this experiment.)
A bit of cleaning goes a long way. A tidy studio is honestly one of the most effective tools for working at optimum capacity. Imagine feeling super inspired and ready to start working, but then entering your studio space and finding that there’s a bunch of confusingly tangled wires at your feet and you can’t find the power cable to turn on your microKORG.
When it comes to visuals, nothing is unimportant, and everything helps. Don’t be afraid to try a bunch of different things until you find something that fits.
The instrument has an eerie, otherworldly quality that has led it to becoming prominent in sound design and soundtracks for films over the last 60 years. Its entertaining playability and portability have also provided the theremin with a place on the stage in rock and prog rock acts. Although it’s rare, we’ve even seen some orchestral and symphonic composers adopt the theremin as a solo melodic vehicle in concert music.