Grants for music students

+ Learn the ins and outs of pro songwriting with Soundfly’s variety of mentored online courses, such as The New Songwriter’s Workshop, Songwriting for Producers, and Unlocking the Emotional Power of Chords.

The queen of jazz has a beautiful point here and it’s such a great reminder that “love is the thing.” Isn’t that why we play music? We freakin’ love it and it makes us feel alive. We play to empty clubs, bare our souls, and write about our broken hearts for the love of it. And isn’t it amazing that you’ve found something you love? There are a lot of people out there who have no idea what their passion is — who may work dead-end jobs or feel lost. I used to be one. But when I found music, it was like finding God. I’m not religious, but I can see how people get into it. It feels amazing to have something you love, something nobody can take away from you. And to me, that’s the key to a happy and successful life.

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Exhibition catalogue grants

The ancient Greeks figured out that if you have a bunch of strings, it sounds really good if you tune them according to the frequency ratios you get from the natural overtone series. In such tuning systems, you get all your notes by picking a starting frequency, and then multiplying or dividing it by whole numbers. The good-sounding (to Western people) note combinations are the ones derived from the lowest harmonics — the ones that have you multiplying or dividing by the smallest prime factors: two, three, and five.

“Thank U, Next”: The sustain of that dreamy electric piano in this chord loop solidifies the G♭ chord as a G♭M13 and the F chord is an F7(#9) secondary dominant (V/vi )! Then we have a regular B♭m before returning to the tonic — but not so fast! We haven’t really returned home, since it’s a D♭7, another secondary dominant (V/IV) that sends us back to G♭M13. These secondary dominants act like coal nuggets to fuel a perpetual motion chord-loop machine. Form-wise, you could also call the chorus extensions “post-choruses,” but I already used up my “P” for the pre-chorus sections, so I’ll just call these extensions “variations” and be done with it.

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