Chamber music america 2020

“Stefano and I focused in on a couple things: the sound design of his digital strings, achieving simplicity and dynamism in the arrangement, and drawing out emotions through the piece. Stefano worked in the DAW rather than through notation, and so we played with realism by leaving the grid behind and allowing individual instruments to shine through. We also worked on simplifying elements of the arrangements, particularly the chordal and polyphonic textures, so that the main melodies felt clear and coherent.

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Funding for the arts

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It also had bass and treble controls that provided an EQ for the effect. You could also take inputs from multiple sources (mic, instrument) and a mixer, all easily accessible from the front panel. Roland had the foresight to design something that was meant to be played and interacted with. They didn’t just see this as a tape delay with a wet/dry knob, they saw the potential this had to help creative people articulate the music they heard in their head.

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