Best rap albums of 2019

Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!

Learn about some of our favorite grants and fellowships, awarding money, time and space to create new works of music, and get the funding boost you need!

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Scholarships for college students 2018-2019

Here at Soundfly we talk a lot about setting and achieving one’s goals. So it makes a lot of sense that this would be the first and probably most important tip for streamlining your workflow. When you have a clear goal in mind, every decision and every distraction should be questioned. Time simply can’t be managed professionally in recording spaces without a detailed list of goals and priorities.

Brown even had to record a new song under a completely different, fake name — Nat Kendrick and the Swans’ “Mashed Potatoes,” for a different label entirely — just to get Nathan to reconsider.

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Grants for photography equipment 2018

“Nice For What”: Okay, what the heck kind of tonal Rubik’s Cube is this? So after a noncommittal B♭m and Cm chord in the intro, we get a main loop with three chords in dizzy order: D♭  E♭  Fm, with the singers using the traditional do-re-mi notes of an A♭ major scale. And at first I heard it in a Lydian tonality because whenever it got to the D♭ chord, it just felt like the home chord to my ear. But when I started to break it down on paper, I realized that the basic loop was: E♭  D♭M7  D♭  Fm  E♭  Fm  D♭  Fm, and wait: don’t tonic chords usually begin or end loops most of the time? I mean, am I right?

Both of the new videos were made against countless odds: “In the 1970s” because of all the impossible ideas we wanted to make real, and “Felicity” because we had to find a place to shoot all 15 Baccis at the same time with essentially no budget. Thankfully due to my employment at Roulette Intermedium in Brooklyn, I was able to get a day there to shoot, and Chris Shields, a filmmaker/writer/musician who I’ve admired for years, was completely instrumental in making that video work as well as it did, considering that we filmed it in six hours by the skin of our teeth. It was Chris’ natural eye for dynamism and lighting that made it look so amazing, as well as the insane post-production he did which made it look like an old VHS copy of an Italian movie. My dream came true!

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