Much like vinyl imparts a certain imperfect-but-adored sound through time, dust collected, faulty needles, and warped records, the same can be said of the MP3. Arguably, retro-MP3 production value is more in line with the tenor of our digital, postmodern age. We now have free apps on our phone to imitate crappy VHS camcorders. We share dank Instagram content that harnesses the style of visual degradation, mash-up and retro Windows ’98 artifacts — why not bring back the 128 kbps MP3 as well?
This course is instructed by nine top sound engineers who have worked with artists such as Beyoncé, D’Angelo, Solange, Sia, Mark Ronson, the New York Philharmonic, the Dirty Projectors, and many more, and it’s navigated by our in-house hip-hop producer, Nyle Emerson.