Gorgeous though the chaconne is, my enjoyment has been hampered by my inability to figure out the rhythm. All classical performers insist on doing extremely expressive (read: loose) timekeeping. I don’t have the sarabande rhythm internalized well enough to be able to track it through everybody’s gooey rubato. Bach’s rhythms are complicated enough to begin with. He loves to start and end phrases in weird spots in the bar (the very first note of the piece is on beat two) — so, I needed some help finding the beat.
Think of a narrative like a story you might read in a book. It should let people into your world and show your vulnerable and emotional side. People have been telling stories since the beginning of civilization. It’s how we learned to communicate and create culture, and being able to describe your story in a relatable way that fans can really latch onto is almost as important as being able to describe your music.