Ithaca is one of those college towns that kind of flies under the radar. Beautiful and serene, this secluded college town can often be seen as too remote, even though smart touring artists would be wise to look into the wealth of upstate New York university towns, including Rochester, Buffalo, and Syracuse. Anyway, Ithaca has earned its stripes well as a destination for touring bands, and for good reason. Among its many venues like The Haunt and The Dock, it’s also home to nonprofit Ithaca Underground, which helps emerging artists of all genres book shows and get their start. Plus, they’re one of the few organizations that put together multi-genre shows, so you can see punk rock, acoustic, and hip-hop all on the same bill.
When you compose, do you gravitate toward certain instruments? And how much of the composition is being orchestrated in your inner ear and how much of it are you playing while you write?
Outside of the basic major (Ionian) and minor (Aeolian) scale modes, the Dorian mode would be considered by many to be the most important diatonic mode in any improviser’s toolkit.
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Since many styles of electronic music don’t include lyrics, it lends itself well to the endless development of an idea. Andrew Bayer’s “Counting the Points” is a beautiful example of this sort of repeated development of a theme or idea.
If you follow your own ear instead of the attempting to mimic the sound of your favorite guitarists, you’ll be on your way to creating a tone that’s unique to you that others are going to want to copy.
Nicholas Rubright is the founder and editor at Dozmia and the lead guitarist for the band Days Gone By. He has a passion for playing the guitar, writing new songs, and creating awesome blog posts like this one.
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New old school rappers
The Who is the Who. They are expected to break their instruments, light them on fire, and treat them with the utmost disrespect. Even in their early years, they had made quite a name for themselves doing so. When the band appeared on the Smothers Bros Comedy Hour in 1967, however, drummer Keith Moon, always one to push limits, put 10 times the normal amount of gunpowder in his kick drum. This not only shocked the audience and people watching at home, but surprised the host and the rest of his band when everything started exploding at the end of the song.
Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!
Without the internet around to provide an unbroken timeline of artistic events to a potentially endless landscape of wandering eyes, records that couldn’t achieve access to a viable fanbase in the 1980s have mostly, inevitably found themselves buried in the sands of time forever. Many creative masterworks, no matter how well-appreciated at the time of their initial pressing — if mismanaged by independent, boutique labels that couldn’t stay afloat financially — have either approached or gone completely off the cliff edge of existence. But thanks to the interplay between user-submitted content on the web and the way platforms help listeners discover it, some records do actually manage to climb back out of the sand.
What’s this have to do with song lengths? Mainly, this unheard-of achievement outlines, among other things, that song lengths, album lengths, and music video lengths just don’t matter as much anymore. Why?
Chip It Challenge judge, glomag made a beautiful and impressive Game Boy-and-guitar version of Ennio Morricone’s epic spaghetti western score from The Good, the Bad and the Ugly.